This collection represents the crafts, arts, traditions, beliefs, and practices of living cultures around the world

The world ethnology collection of approximately 5,000 objects derives from cultures outside the Americas. Objects in the world ethnology collection come from every corner of the earth, although three subcollections represent the most significant holdings.

African collections. The 1,500 African objects center on Central and Southern Africa with special attention to cultures from the Democratic Republic of the Congo and Botswana.  Figures, carvings, raffia cloth and masks are highlighted from the Bakuba, Baluba, Songye and Ndegese of the DROC.  Clothing, tools and weapons from the San, Tswana, Herero, Hambukushu, Bayei and Basubiya are the focus of a significant number of objects from Botswana.  Other highlights include a collection of carved bronze figures from Liberia, Yoruba masks and statues from Nigeria, weaponry of East Africa, and beadwork from the Zulu and Southern Ndebele in South Africa.

Asian collections. The Southeast Asian collection of more than 1,000 objects is the Museum’s most significant world ethnographic holding, outside of the Native American collections. Collected during the last 40 years, it represents a systematic, documented holding from the Hmong, Mien, Akha, Lahu, Lisu, and Karen hill tribes of the northern margins of Thailand, Laos, Burma, Vietnam, and southwestern China. Small groups of Asian objects illustrate scattered peoples and traits of Han (China), aboriginal Taiwanese, Japanese, South Asian (India, Bangladesh), Indonesian, and Philippine Indigenous cultures.

Oceanic and Australian collections. About 700 objects make up this smallest and perhaps most diverse Denver Museum of Nature & Science ethnology holding. It illustrates the main materials, technologies, forms, and designs used during the early to mid-20th century by the peoples of Pacific Ocean islands from Hawaii to Papua New Guinea and the continent of Australia.

Crossroads of Culture:

Anthropology Collections at the Denver Museum of Nature & Science

The hectic front of the Denver Museum of Nature & Science hides an unseen back of the Museum that is also bustling. Less than 1% of the Museum’s collections are on display at any given time, and the Department of Anthropology alone cares for more than 50,000 objects from every corner of the globe, objects that are not normally available to the public. This lavishly illustrated book presents and celebrates the Denver Museum of Nature & Science’s exceptional anthropology collections for the first time.

The book presents 123 full-color images to highlight the Museum’s cultural treasures. Selected for their individual beauty, historic value, and cultural meaning, these objects connect different places, times, and people. From the mammoth hunters of the Plains to the first American pioneer settlers to the flourishing Hispanic and Asian diasporas in downtown Denver, the Rocky Mountain region has been home to a breathtaking array of cultures. Many objects tell this story of the Rocky Mountains’ fascinating and complex past whereas others serve to bring enigmatic corners of the globe to modern-day Denver.

Crossroads of Culture serves as a behind-the-scenes tour of the Museum’s anthropology collections. All of the royalties from this publication will benefit the collections of the Denver Museum of Nature & Science’s Department of Anthropology.

The Oceanic Collection

"Voyaging Through the Oceanic Collection at the Denver Museum of Nature & Science"

The Oceanic collection at the Denver Museum of Nature & Science is one of the smallest collections contained within the Museum’s world ethnology collection, yet it is perhaps one of the largest regional collections of Oceanic materials in the Rocky Mountains—second only to the Denver Art Museum.

This article provides the first in-depth look at this collection through an accession-based approach of describing the objects, peoples, and histories found within it. In using the concepts of (re)discovery and wayfinding as material culture research methods, this paper presents a “voyage” through the Oceanic collection facilitated by collections-based and archival research.

The essay ends by reflecting on the Department of Anthropology’s mission statement to curate “the best understood and most ethically held anthropology collection in North America” and on how this statement can be promulgated through further research on the Oceanic collection, as well as future partnerships with diasporic Pacific Islander communities living in Colorado.


Erika Heacock

Assistant Collections Manager of Anthropology

Stephen E. Nash, PhD

Senior Curator of Archaeology and Director of Anthropology

Michele Koons, PhD

Associate Curator of Archaeology

Erin Baxter, PhD

Acting Curator of Anthropology

Libby Couch

Business Support Specialist III

Frequently Asked Questions

The department acquires new items for the collections if the appropriate curator determines the objects fit within the specifications of the Long-Term Collections and Research Plan. The majority of new acquisitions are through donation because acquisition funds are severely limited. If you have a question regarding a potential donation, please email the Collections Manager photos of the object along with a basic description including information on how, when, and where you acquired the object(s). This information will then be passed along to the appropriate curator for consideration.

The department reviews requests for loans from the collections on a case-by-case basis. Please review our Guidelines for Borrowers. Please note that due to the various steps required to complete loan requests, the department requests at least four months between initial contact and the loan start date. There is no set fee for loans; however, there may be costs associated with conservation work, formal appraisals, object packing, and transport.

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